Part VII: hermess
sound of a dancer, the elegant ease
of an elephant, please, a moment
or so fore the belles in these
also sing in their china blue wings,
& the rain in those clay pots
balance on pole-top a plate
o’er a chair, & the ottoman
stops at the top of the stairs
a man, who so merit a fool a share
of, among rags from aground,
o’erland, an ol’ pole-fisher about,
as the wing’d thing northerly
sound, ‘mid the wickery thicket,
a figury cloud, and the weir
by the bottom a shallow allow,
for his sandals & cinnabar jars
aye, as a silver spoon & fork
so well, aye now, a spoon,
the fork is on, aye so, a weir
as sings to till it’s up,
& mold it so as soon
as sow again, as comin’
from a risin’ of a wing-led ease;
that fork sometimes I find it
does an all matter an aul,
either here over her o’er there,
if I’m wanting as been fore a sea;
more an oarless there at rest,
& I’m restin’ at that,
for a little wild one, or
the childe, an atlas aknee,
an as well enough each
an in-wall sat a figure as
an outer door interfere,
as a passage in cold wear,
as wise for the elder of
aye by o’clock & its some,
if its any know time; I tell
by a hand of the ringin’ of
belles by the sure seas surround
handles by the rats & a rantin’
the rate by an hour as well
as a feast for a porter,
the pinch-backs & clowns,
drag up a drown’d man,
pull down a frown on a flea,
as ever an after as afore is,
here’s another of others so nigh
aye enclose, as in a garden well,
a bringer of from far along,
a sky so clear your near ago,
nor aye the wind forsake a sail,
a ragged shawl, a briary,
a fair trade, the scree, the shore;
to hang the while a tenon to
a rabbet, hold now a maelstrom
sparrows and herons and terns,
all in the tall grasses urge
long-necks and short-bills beyond,
shoal’d auks and free-landers round;
some in the blue, some of the bran,
as the ganderings peck wide
and slow as the rasp and the nail,
the foreground a figure in reeds
poet of the old school -wonderful. so all is not lost and the skill exists yet. not sure what it took to pull out, but thank you. does the heart good. i remember, like a kiss from ages gone. skill and gentility
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and a touch OCD…and senior momentum
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thunderingly good
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The old ever new apropos all Poesie, dear Paul
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I hear Joyce while reading this.
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I had no conscious thought of any other during the writing, nor even myself…looking at it now,
I’ll give a nod to Dame Edith Sitwell, now and then. It is from 2004, not the ’90s, but has yet some roots there in earlier work. Thank you, Jeremy
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You are welcome. The work is definitely your own but its richness reminds me of the greats. Comparisons are difficult to make because when we make them we don’t want to make the person we are trying to honor think that their work is not of its own. I really enjoy your poetry and I admire the richness and density of your language. Your poetry challenges me in a way the work of other poets (whose work I also value) does not. I feel “bettered” by reading you. 🙂
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Now I am over-delighted!
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