whereas yes, you
look all through
not there, not yet,
forget so many
onetime once
you second guess
first wrongtime was
still not therefore
tip of tongue, cross-
eyed, who knows, sighs
no, not sleep on it;
so, why before an eye,
that sometime season
from which way you
a day step into it
as is (in manual)
figure so not you,
fig. 2 less than 6,
name of 6 not true
per orbit of its 2,
so 4 of 6 armor of
reflect mirror, not to
ayaladn 
I liked the fluidity of your language. But I’m still running amok on any kind of narrative. In brief terms could you relay a sense of your poetics. I know you are seriously committed to your writing and I would like to be able to appreciate it all the more than simply fragments here and there even though occasionally the entire poem is accessible for me. re you familiar with Charles Olson and The Black Mountain school, i.e. Roberty Creely–one of my teachers, and Robert Duncan to name two?>KB
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Dear KB, Forsake narrative, at least herein for now; there is a reliance with the former two posts
for fuller view, and at best a furthermore (acceptable phrase any day as Work In Progress) you should await.
I have a vague recollection of those named, but no direct experience of the three. I’ll look for them, to
discover why you ask.
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